Music and Drama

Drama I

Drama I is designed primarily for our younger students and is designed to expose beginners to all aspects of theater through a series of small-scale productions. Students read and choose plays together, write scenes, collect and make props, choose and fit costumes, design and build set pieces, determine lighting requirements and, of course, act in the productions.

Drama II

Drama II is an upper-level elective class that assumes that the enrollees have a passionate interest in theater, and are not just getting their feet wet. With that premise in mind, we start each year with monologues, an always challenging and risky undertaking for the aspiring actor. The students are involved in the selection of their individual material, and the monologues provide an important opportunity for close, one-on-one work. The current curriculum becomes more variable after the performance of the monologues at the Fall Arts Weekend. In the past, it has included work on scenes of two or more actors, one-acts, and full-length plays. For students who have already taken Drama II, a repeat of this class can result in student-directed scenes.

Music I

This course offers a comprehensive investigation of the art of music. The class will study music from different cultures and from many time periods. The theoretical emphasis focuses on the notated traditions of the world. Students can then use any of these systems as a basis for their own compositions. Specific areas of study include theory: acoustics, basic fundamentals, traditional harmonic and contrapuntal functions; ear training: rhythmic and melodic dictation and sight singing; analysis: listening and analyzing with full scores, observing historical cycles; and composition: original work written and performed by class participants, faculty, and adjunct faculty. Composing original pieces enables students to participate in the most basic creative act of music and it becomes the common denominator of the class experience. All students, regardless of previous background, share equally in this fundamental musical process.

Music II and III Advanced Composition and Performance

These are upper-level courses intended primarily for students planning to continue music study at the college level. Score reading and analysis of a variety of music are an integral part of this class. For the most part, performance consists of ensemble sight-reading and performance preparation techniques, including many aspects of improvisation. All student compositions are performed and recorded throughout the year.

Private Lessons

Lessons in piano, voice, and most instruments can be arranged.


Choral activities and vocal ensembles are open to all regardless of prior experience. Twice a year, major choral works are undertaken. An additional piece involving all students and faculty is performed at Graduation. Vivaldi’s Gloria, Mozart’s Missa Brevis K.220 and Requiem K.626, Schubert’s Mass No. 3, Gounod’s Messe Solennelle de Sainte Cécile, and Carl Orff’’s Carmina Burana have been performed in recent years.

Chamber Orchestra

Chamber orchestra is open to all students who have an interest in playing music in a larger group. A wide variety of instruments can be accommodated in the chamber orchestra. Repertory works are performed during the Fall and Spring Arts Weekends, and in the winter the orchestra provides music for the touring All-School Play. Recent performances have included Bach’s Orchestra Suites in C and D, Handel’s Water Music, Mozart’s Eine Kleine Nachtmusik, and Schubert’s Rosamunde Overture; waltzes and rags by Scott Joplin; and arrangements of pieces by George Gershwin and Duke Ellington.

Chamber Music

Students who are interested in playing chamber music may participate in one of a number of group ensembles. They vary in size and instrumentation and are individually coached by the music faculty. Duos to seven-piece jazz ensembles form each semester to rehearse and perform student composers’ work as well as standard repertoire. Rudimentary sight-reading ability is necessary. Performances are given several times each year.

Fall and Spring Plays

These productions are cast at the beginning of each term and involve students of all grades who wish to be considered for a part. There are no requirements for participation. Casting is at the discretion of the directors, but we strive to involve as many different students as possible. We also take into consideration the needs of the actors. One student might be ready for a challenge, so we will cast him or her in a difficult role on purpose. Another might be trying out for the first time and we want to celebrate their courage by giving them a small part, regardless of acting talent. These plays rehearse two evenings a week, for two hours each time (though not all students are required to be at every rehearsal for the full two hours). Other students, as volunteers, are in charge of lights, sets, props, and costumes. Some of the work for these crews happens during the evening rehearsals, some happens during Work Program hours. Adults are involved in these crews as well, but students are, and need to be, the primary participants.

The All School Play

This is the major production of the winter term and a central component of the All-School Trip. Unlike our other two plays, this one involves every single student in the school. If you are not in the cast (which is usually quite large), you can play in the orchestra that accompanies the production, participate on the lights crew, do make-up, produce the programs, house-manage during performances, or have a hand in any of a number of other necessary tasks. While in our host city, we “give back” by performing the play in nursing homes, schools, retirement communities, or for other groups or organizations that have invited us. The play is usually performed three times in three different venues.

Creative Writing

A weekly activity, creative writing affords the opportunity to pursue writing projects of choice in an informal, non-academic setting. Students are given the option of sharing their work with the other members of the group and may read before larger audiences of peers, parents, alumni, relatives and visitors at the annual Fall and Spring Arts Weekends. Work is also published in the yearbook and in the Newsletter.


This activity explores West African, Afro-Caribbean, modern, ballet, and other creative influences in dance, focusing on traditional-folkloric and contemporary influences in original student compositions. Several levels of classes run from November through May, accommodating beginners as well as experienced dancers. Individual and group choreography performances are given during the Fall and Spring Arts Weekends.

Drumming and Percussion

Studies include hand and stick techniques, traditional arrangements, and individual compositions. Areas to be considered are West African, Afro-Caribbean, and contemporary influences in original student compositions. Performances with dance are held during the Fall and Spring Arts Weekends.


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